It’s official – publication day for The Book of Revenge – Nine Lives Trilogy 3 is here! It’s a week earlier than I expected and the nerves have kicked in… let’s hope you all love Ebony Smart’s biggest adventure yet!
So, does publication day feel any different when it’s your fourth book? The answer is no! It’s just as exciting, nerve-wracking, strange, unbelievable, wild and bizarre as every other time. It’s also a whimper, rather than a bang, as all the build-up is towards the launch. But seeing people reading the book, pictures of it on shelves, in hands, on TBR piles is a crazy good feeling. So keep the pictures coming!
I haven’t even seen a copy yet, but hopefully they’ll arrive today! It’s such a great experience, holding your book in your hand for the first time. Until I do, it still feels like an unruly manuscript that has to be kicked into shape!
And so, here’s to the final piece of the Nine Lives Trilogy – off you go, out into the world, The Book of Revenge!
I hope 2018 is off to a great start for you! From the beginning, straight to the end, following on from the last post on motivation, here’s my advice on getting your manuscript ready for submission. This article was originally written for Writers & Artists, but it received such a good response, I thought I’d share it with readers here…
Publishing is one of the most competitive industries in the world, so when you send your manuscript out on submission, you need to make sure it is as polished as possible. You also need to provide an insight into you as an author. A publisher or agent will be looking for talent, but they also need to know that you are professional, that you are dedicated to your writing, and that you will be agreeable to work with. Although the manuscript is ultimately yours, a published book requires collaborative effort and so when an agent or publisher reads your submission, they will be considering all of these aspects. Here are a few practical things to look for before you send out your manuscript, to give it the best possible chance of success.
You’ve redrafted and redrafted your manuscript and are too close to see any glaring mistakes; here are some common editorial issues to look out for, so you can really polish your manuscript before you hit send.
Reducing your manuscript into one line is challenging, but it gives you focus. It also functions in two useful ways; it provides you with a succinct description of your book for your cover letter, and it also serves as a reference point for your own writing. When you reread your manuscript, does it match your one liner? If not, something is wrong – it could be a simple fix or another rewrite, but if alarm bells are ringing, give your manuscript more time.
This sounds obvious but there is no better way to know whether your dialogue is working than to read it aloud. If any dialogue is tricky to say or sounds out of place, it needs more work. This is slow and time consuming, but essential: flabby or unconvincing dialogue pops off the page and can really let a good story down.
Look out for sections that slow the action down or cause distraction, such as unnecessary descriptions or information dumping. Are your chapters fluid and do they end in a way that makes you want to read on? The middle section of a manuscript is typically where pace suffers before editorial input – see if you can tighten and prune before hitting send.
Every story takes a reader on an emotional journey – so what do you want your readers to feel? Do you want them to be blubbing, splitting their sides laughing or too scared to read on but too hooked not to? Once you have your story, your characters, your redrafted manuscript, reread to see whether you have managed to evoke the desired emotions. If it’s not working for you, it won’t work for your reader either.
When you submit your book, it’s not just about your manuscript – you also need to make sure that you are sending desirable material to the right people, in the right way.
Is the agent or publisher you are approaching even interested in your genre or the age group you are writing for? This may sound like an obvious question, but despite the wealth of information available online, publishers and agents are constantly bombarded with manuscripts that don’t fit their criteria. It may seem time consuming to check every detail, but submitting work that is not relevant to an agent or publisher will result in instant rejection. Save embarrassment and unnecessary heartache by doing your research.
Have you studied and adhered to the submission guidelines requested by the publisher or agent you are approaching? Each will have their own way of working and their own requirements and it is important you follow these exactly. Agents and editors are extremely busy, so they expect to receive manuscripts in the format requested; submissions that do not meet the requirements may go unread. Make sure that you double-check everything on the submissions page of the website before you hit send.
Although it might be tempting to send your manuscript on submission because you’re hungry to get published, sending it out too early will be detrimental to your chances of success. You only have one opportunity to submit your book to a publisher or agent, so don’t send it anywhere until you are completely sure that you have made every improvements possible.
Literature is subjective and so not every agent or publisher is going to like what you send – they have to be behind it 100% to be able to take you on. So if someone takes time to give you feedback, read their suggestions objectively and see what you can learn. Everyone experiences rejection in the publishing industry, so try not to let it dampen your spirits. I’d love to hear all about your progress – and I guarantee, if you dedicate your time, if you strive to become better at your craft, if you write your stories with heart and keep going, you will make progress.
Keep writing, keep improving and never give up!
Not long now – Dublin folk, come and celebrate with me! This is the final piece of the Nine Lives adventure (and there’ll be wine followed by after drinks in Neary’s)… I really hope to see you there…
So, it’s only a couple of weeks into the New Year and already your motivation/confidence/belief in your work has begun to flag? You’ve lost sight of the story/why you bothered started writing it in the first place?
Well, take a deep breath and relax – because this happens to every writer at some point. And when it does happen, you have two choices – keep going or give up. Both can be viable options, but most of the time, it’s simply part of the creative process and you need to keep going to get the results you’re looking for.
It might be that the idea or voice of your story really doesn’t work, but in general, it usually means that you need more time, more drafts, and more thinking space. There are obstacles in your way, but you can usually overcome them, with some effort and patience and a dollop of courage.
Here are some approaches that work for me…
Face your demons: this is my first approach. When something is challenging, or scary, or seemingly impossible, I like to tackle it head on. Otherwise it grows into a giant monster that follows you everywhere, taunting you. If you give the most difficult or scary tasks your best shot, at your best time of day, even tiny steps forward will help to relieve the pressure you’re under and move your story along.
Take more short breaks: I can often concentrate for hours at a time, but when I’m caught up in something extra challenging, I take a break every time my concentration naturally beaks. This could be every hour or 45 minutes, but with increased challenge comes increased pressure and so the usual long concentration periods don’t work as well. Lots of short breaks allow your brain to relax a little before the next bout – and allow creative thoughts to keep flowing.
Try something new: If you write organically to find your character and stories, try pausing to map out how far you’ve got and where you want to go. Stepping back to see the bigger picture might help you to spot issues with plot or pacing, renew your enthusiasm, or remind you of your initial aim and show you where things have veered off.
Move! I swear by long walks! I start every day with a long walk (two-hours or more) to get the blood flowing and to encourage my brain to let go of any concerns or worries. Likewise, when I hit a wall, or I feel my concentration or enthusiasm ebbing, I get up and move. It might be a shrug or a dance or a stretch, but I find movement creates a momentary distraction and helps fresh thoughts to come flooding in.
If all else fails: I’m not an advocate of giving up, but if you have truly tried everything else and the words are still not coming, or if you’re endangering the quality of your manuscript, then put your work in progress aside. Don’t stop writing, but work on something else and go back to your tricky manuscript the next day.
Good luck with your work in progress – happy writing! E x
(Note: this was originally written for the Girls Heart Books blog)
If you love reading or writing middle grade books (books for a readership aged 8-12), and you’re also a twitter user, then our monthly twitter chat – #MGiechat is making a comeback and getting a makeover.
This all started in 2015 when I realised that there were no Ireland-based chats on twitter about middle grade books, and decided that I should start one. It ran for 2 years but in 2017, I got overloaded (in a wonderful way!) with writing/editing The Book of Revenge, short story commissions, residencies abroad (Australia and Iceland) as well as freelance, and social media had to take a back seat.
So, consider #MGiechat up and running again! It will run on the first Monday of every month, from 8.30pm to 9.30pm. There’ll be themed chats, interviews and special guests.
Our first chat is on Monday January 8th and we’ll be talking reading and writing aspirations for 2018, along with special guest author, Nigel Quinlan, who is due to release his second book The Cloak of Feathers.
Do come along and say hi. We’re a friendly bunch. See you there?
Happy 2018 to you all! At the start of a new year, people often feel energised and raring to go, so I’m starting the year with a few blog posts that will hopefully help to kickstart your writing, wherever you are on your writing journey. On the first day of the year, I’m starting right at the the beginning… because we all have to start somewhere.
A first draft is exciting, but it can also be daunting. You have an idea and characters ready to burst onto the page, but at the same time, you have an intimidating blank screen glaring at you, daring you to fill it. So, how do you dive in and start getting those ideas down? How do you drag that first draft out of your head and heart and onto the page? Every writer is different, but this is what works for me…
It may seem obvious, but my advice is to just write. Write freely and manically and with abandon. Change character names if needed as you go, ignore the spelling mistakes, don’t edit a thing. Just write, write, write, until you have a decent body of words that can be shaped into a real story later along the line. Don’t worry about making mistakes – just go for it. Turn off that inner editor and inner critic, and make words.
I am now on my fifth book (an adult fiction, not contracted, title TBC) and so far, I have set myself the same goal every time I write a first draft. I aim for between 50,000 and 60,000 words in 30 days. That’s a lot of words in a short space of time, but I find that I get into a rhythm that’s both bewildering and fun – and once I have words there, it’s easier to make them behave. I admit that this method produces a draft that’s terrible. So terrible, in fact, that it’s more of a draft zero – but that’s how I find my story.
When I plot or plan, it kills the story for me and I get bored and lose interest. If I use this frenzied method, I get excited about the story and characters and surprising things happen. I try not to worry about mistakes or plots holes or story arcs, and only a small amount of this initial draft will be in my final book. After all, writing is rewriting! But like an artist mixing paints or a sculptor preparing clay, this gives me something concrete that I can shape, sluice, and colour.
This method won’t work for everyone, but if you’re finding yourself stuck, unable to get the words from your brain onto the intimidating blank page, it might be worth a try. In 2017, I tried documenting one of my first draft journeys on twitter and my own blog; here’s a glimpse into my first week of writing The Book of Revenge – Nine Lives Trilogy 3 (published by Mercier Press, Feb 2018).
#1stdraftdiary Day 1: Some words are stolen from deleted scenes from Book 2 (approx 300). Today was a real slog – it was difficult to switch off from the publication & (double) launch of Caramel Hearts, so it felt like I was connecting back with the characters and little more than that. Probably the hardest day of writing yet – and this is my fourth book so I didn’t expect that! Instead of feeling pleased that I’ve started, the day ended feeling rather glum. Word count: 2012
#1stdraftdiary Day 2: I decamp to a friend’s house for a change of scenery as a pick-me-up. She’s an artist and works with music on somewhere else in the house and I make an important discovery – I can work with music on if it’s not in the same room! This isn’t particularly relevant for me on a day-to-day basis because I live in a mobile home, so everything sounds like it’s in the same room! But it’s a discovery all the same. The change of walls, desk, light works and I manage to get a great word count down. I know that these are all the wrong words and usually I don’t care – but this time, I’m unsettled. As I close my computer down, I realise where I should have started and know I have to start again. I don’t usually do this, but the book is due October 31st & there isn’t much room for mistakes so I delete a whole chapter. Word count: 4521
#1stdraftdiary Day 3: And start again! But the day is warm and muggy and promising sun, and it’s calling to me. I walk the dog six miles instead of the usual three before it gets too hot. An essay I want to write keeps bugging me, so I decide to think about this when I’m walking, and then concentrate on my first draft when I am stationary. It works! The essay begins to form and then I sit at the water’s edge half way through the walk, writing more of my book using notebook and pen, moving now and again to avoid a pair of territorial swans. When I return home, I write up my thoughts on the essay, then type up the book. Because I started again (something I don’t usually do), I’ve gone backwards – this puts me 1500 words behind schedule. Word count: 3500
#1stdraftdiary Day 4: I finally connect with my old way of working. Thanks to a brief conversation with author, Celine Kiernan, I realise that the start has been slow because I know the characters (this is Book 3 of a trilogy after all!!) so I’m automatically editing and criticising, when usually I let these things go and write freely, without the little nagging voice. And so, I force that voice to switch off and gallop on, feeling much happier with the actual writing part! End of day, I’ve caught up a bit; still 800 words behind schedule but it’s early days and certainly nothing to worry about – plenty of time to catch up. Word count: 7200
#1stdraftdiary Day 5: Woke up in a mild panic. The garden had to take priority, meaning a trip to Bantry to buy plants, then weeding the beds and planting before any work can get started. By 4.30pm, I still have 30 minutes of garden watering to do and no writing. Beating myself up severely about this for several hours of the day, but when I finally get to sit down, the words flow quite happily and I realise what a pain I’ve been to myself all day. Feeling rather joyous when I shut the computer down. Word count: 9100
What is your process for writing a first draft? Are you a plotter or do you write organically, like me? I’d love to hear how you work!
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