I’ve always hated labels and I’ve always loved variety; moments in time, new experiences, the unexpected – that’s what makes me tick. Routine makes me feel like I’m trapped in a bog, struggling my way out. It doesn’t work for everyone, but change makes my soul soar.
And that’s why I write like I read – across a variety of age groups and genres, styles and lengths. Although I’ve been coined a children’s author (which, of course, I am!), it is actually only one part of what I do. I also write essays, short stories, story for radio and flash fiction – for both children and adults. Typically, however, when you write a work of longer fiction, i.e. a novel, the other stuff seems to pale in comparison. But if I had to label myself as something, then I think I’d identify with plain old ‘writer’.
Don’t get me wrong; this is not in any way to belittle the fact that I write for children. Ask any children’s writer and they’ll tell you all about the time(s) they were asked the question – when are you going to write a proper book? It’s so common, the wonderful champion of children’s books and authors, Sarah Webb (who writes novels for both children and adults), even created an event for aspiring children’s writers with this as the very title.
So let me start by clarifying: children’s books are proper books, and for anyone rolling their eyes, answer this… How many people come to reading for pleasure as an adult? Not many. Children’s books are at the very core of reading and readers, whatever age you may be, and I cannot stress enough how important they are. How much I love writing them and proud I am to be part of that community. How much it makes my soul soar to be in front of a room of children enthusing over books.
However, I also love writing other things. Lots of other things. Why? Because I enjoy the challenge. And also, projects and ideas come to me in different forms. Sometimes an idea might require a poem, other times the story might need flash fiction, and other times only an essay can shape the words I want to say. Some of these things will be published and some will not. But that doesn’t remove from the joy – writers write. That’s what we do.
And I’m certainly not alone. Some of the writers that I adore and admire that write across several age groups and/or genres include Margaret Atwood, Neil Gaiman, Nuala O’Connor, Roald Dahl Emma Donoghue, E.B White, Stephen King, Zadie Smith and Joyce Carol Oates.
So why do some writers feel the need to keep switching? I can’t speak for any of these prolific and talented writers, but I am pretty confident that every piece they write comes from the heart. You only need to focus on the quality to realise how much each publication meant to them. And remember, for every piece we see, there’ll be reams of stuff hidden in drawers, discarded, that didn’t quite make the grade.
Like I said, writers write. That’s what we do.
For me, writing a book takes a long time and I have limited capacity for intense focus on a single work in progress – about four hours per day maximum. I find that writing shorter pieces alongside the novels helps to keep me motivated. Instead of taking a break when my concentration on a single piece is up, I switch to something else to keep those writing muscles in full flow. To give you an idea of what I’ve been up to, in the last six months, I’ve had the following published:
- Novel: The Book of Revenge – Nine Lives Trilogy 3 (Mercier Press)
- Short Story: Copper and Fudge in The Elysian – Creative Responses (New Binary Press)
- Flash Fiction: Storm Witch in Reading the Future – Celebrating 250 Years of Hodges Figgis (Arlen Press)
- Essay: Hidden Places in Autonomy edited by Kathy D’Arcy (New Binary Press)
- Short Story: In the Company of Dreams on Headstuff.org
There are a few more awaiting decisions, a few more binned for now, and more on their way, all at different stages, edging forward like racehorses until one needs to push ahead to the finish line.
I don’t know why a piece nags at me, demanding to be written, and in a certain way. It’s all about the story is all I can really tell you. But I do know that each piece requires focus, time and dedication, and each carries a little of my soul.
Sometimes a short story can take as long as a novel, if not longer, as I often require more time between edits. I also know that every piece comes with its own challenges and frustrations and sense of achievement as the final words/edits fall into place. Each provides me, in its own (sometimes cruel or meandering) way, with joy.
And so, if you’re finding it difficult to motivate yourself, or you’ve fallen out of love with your current work in progress (it happens), or you feel like you’re banging your head off a brick wall (that frequently happens), then have you considered writing something fresh and new, in a different genre or style or for a different audience?
It might not work but what have you got to lose? I’d love to know how you get on.