Like most writers I know, I usually begin a new year with a round-up of the previous, but I actively reduced my time on social media in 2019 to try and recoup some writing time, and so I’m so far behind, I think I’ll just skip to some gratitude.

As 2020 starts with a whisper – swans at the pier and fishermen bringing in their catch, gentle weather, new books to read, unexpected blooms on wintry walks, live music and dog snuggles – I know I have a lot to be thankful for.

First up: people.

No (wo)man is an island

We don’t always acknowledge how much we need and value the input of others, but I think for writers in particular, social interaction is vitally important and something we need to remember to nurture.

I’m on the road a lot for events (I was away from home for more than 5 months in 2019, but this made up a sizeable portion of my income) and I spend far too much time alone. This past year was particularly hard in that respect, so the people around me have meant more than ever.

So, to my incredible husband, friends near and far, my patient agent Sallyanne Sweeney, writerly friends I turn to for an ear/advice (special shout out to Claire Hennessy, Caroline Busher & Kieran Fanning), my readers, penpals, and everyone else who has inspired me and made my journey/time pass smoothly – thank you. Your input has been invaluable and appreciated.

Timeleaps, Words Allowed, and a Storytime Express

Many exciting event opportunities came my way in 2019, from the grand finale quiz of Battle of the Book, to a storytelling event on a vintage train (thanks to CBI and An Post), hundreds of events in schools and libraries around Ireland, specialist training for inclusive arts events, READON teen conference panels and writing workshops, plus a week-long tour in Germany for Marburger Lesefest. It was a non-stop whirlwind.

I love events and there’s nothing better than getting in front of your audience for reminding yourself why you write and untangling yourself from the sometimes-stressful business side of things. So, thank you to everyone who invited me, worked with me (especially co-tutors Alan Early and Dave Lordan), and supported me in bringing my/our events to young audiences.

Pen and Ink and Bum Glue

In terms of writing, I didn’t have any books published this year, and being out of contract has felt fine – I was expecting it to be much harder. But thanks to the reduction in social media, I was pleasantly productive, with two new novels both completed as far as draft 4, plus I had several essays and short stories published in some fantastic magazines and journals including; Banshee, Popshots, Terrain, and Tiny Essays. I also got to co-write a fairy tale with Caroline Busher (currently seeking a home).

These seemingly small victories are actually huge – receiving positive reactions from publications you admire is a boost that helps to;

• stay on the writing path with integrity and joy
• counteract the many, many rejections received

Because let’s face it, if the writing isn’t joyful, why bother? Thankfully, this year’s writing has brought me a lot of joy.

A Room of One’s Own

Other highlights in 2019 included residencies in Costa Rica (1 month) and Portugal (3 weeks). Both provided plenty of physical space and headspace to go deep into my novels, as well as progress some shorter pieces. The rest of the donkey work was completed throughout 2019 on trains or planes and in hotel rooms between events/freelancing deadlines (and at often ridiculous hours), but the residencies were key to planning, structuring, and intense productivity, that enabled the rest to happen organically. So, huge thanks to Mauser Eco House and Foundation Obras Art Residency for their generosity of space and time.

An Interlude

Before I talk about what’s next, I want to pause to say this…

In case the above seems all too sparkly or glamourous or ‘lucky’, at times in 2019, I felt far too lonely. I also felt overworked and underwhelmed and for the first time ever, my health suffered a little. My energy levels a little more. But I had a fantastic year overall and there was nothing I couldn’t deal with and nothing I can’t learn from and change to improve the year ahead.

My outlook is this: We all create our own opportunities and work ethic, we all use our time in the way we choose, and we all have to make decisions based on our personal lives. Sometimes those decisions are hard, and sometimes it can feel like an uphill struggle or hectic or failure. But perspective is key.

My year was hectic, but it doesn’t mean that if you’re doing more/less/things completely different, you’re more/less/doing things wrongly. There are no rules – especially in creative professions –  only lives to live and lessons to learn and choices to be made.

My advice is this: compare only to yourself and your own parameters. Your own perspective is what matters.

What Next?

In truth, who knows? I’m trying to be a little more open and a little less planned this year. Writing wise, I aim to finish both of my WIP novels, as well as an essay collection, ready for submission. There will definitely be more events with young readers. Plus, a week at the Tyrone Guthrie Centre (courtesy of CBI) and a return to Portugal in June.

But above all – more people and gratitude.

What do you want more of in 2020?